That twenties feeling

Tonight was the premiere of the SwingCity DVD. The band was the Cairo Club Orchestra, and we’ve just arrived home tired and aching and covered in sweat. Cairo Club is an authentic 20s dance band, and there really is nothing quite like it in Melbourne. They play charts you won’t hear anywhere else, like ‘My Canary Has Circles Under His Eyes’ and a really beautiful version of ‘The Mooch’, which remains one of my favourite songs. The quality of the band is such that every soloist is compelling without dominating the arrangments. I also absolutely love the trumpets in this band, of which the bandleader Peter Milley is the lead. They always amaze me with their precision, and they make a lot of use of mutes, which I always love.

The DVD went down very well, and we finally have our first batch of re-authored DVDs (i.e. without the sound glitch in the first run). It’s satisfying to see it on the big screen and hear people laughing and joking in the audience. Naturally we talked all night about what we were planning for this year’s event. We’re officially excited again. It always takes a long while.

Ursibursi

One of the true delights of being an organiser of a lindy hop event is getting to know people. Not just people in your own lindy hop scene — that’s a delight in itself, but just about anyone should be able to do that if they are persistent. Getting to know people from all over the world who share the same passion that you do. My next trip to Herrang will by my 5th, which means I have probably been there more times than any other Australian I guess. The main reason I go is definitely because of MLX. It’s a way to tell people about our exchange, and it’s also a way to speak to those particular people you want to invite. It was at Herrang last year that I finally got to catch up with Lorenz and Ursi, and I think they wouldn’t have made it down for SwingCity if I hadn’t been able to see them in person that second time.

So now Ursi is back in Melbourne visiting her newfound friends (and one in particular). She’s even planning to come back on a semi-permanent basis next year. Lotte and I had lunch with her in Lygon Street today and just talked about swing organising the whole time. Apart from being an amazing dancer Ursi is just one of the nicest (and cutest) people I’ve ever met. She’s teaching workshops on May the 21sts and 22nd, by the way, so if you’re a lindy hopper in Melbourne I highly recommend that you get there. She’s truly a world class dancer.

Basie Centennial Clips

Dachelle just pointed me in the direction of a batch of video clips available by FTP from the Basie Centennial event in New York last year. These are fantastic clips and include some terrific footage from the Hellzapoppin’ contest there. See for yourself (but make sure you have broadband). ftp://dans.poy.no/events/y6a/

Life is good

Life is good today. I had been feeling a little sorry for myself this week after having suffered for at least 10 days with the effects of the Hullabaloo ‘flu (a cold, really). It’s not one of those debilitating colds — just one that’s hard to shake. Anyway yesterday and today I have been feeling decidedly more upbeat, and I put it down to the receding effects of the virus. Last night we invited Ursi from Switzerland to join our troupe training. It was an excellent decision as she inspired us all. Watching a professional dancer of her calibre is intimidating to be sure, but it challenges us, and we are often struggling to find new ways to bring our dancing to a new level. She showed us a very short routine to a slow jazz track from a Starbucks compilation CD. I’m having trouble tracking down the track name, unfortunately. Anyway the routine focussed strong, slow movements combined with fast ones, and it was incredibly difficult to infuse with quite the same feeling as Ursi.

I think I was able to do it all the way through on the correct time, but I was struggling with pretty much all the nuances of movement. For one thing, body rolls are something I just don’t seem to be able to do with my computer-stiff back and neck. I fantasise sometimes about the idea of dancing all day every day, and wonder how my body would be transformed. It would be really interesting to find out just how much flexibility and strength someone like me could get with the kind of daily regimen that someone like Ursi uses. She told us on the way home that she has trained 2 hours a day while she’s been here, and she has felt like she has been slacking off dramatically. I’m sure that if I trained for an hour a day for one week I would imagine that I was an elite athlete. It’s all relative I suppose.

Updates

Yesterday I took delivery of my new iMac G5 (20 inch). It’s a heck of an improvement on my 17 inch iMac G4, with a 1.8GHz G5 processor and 1Gb of RAM. Now I don’t want to sound like I was disappointed, but I was alarmed to read this article from ThinkSecret while I was browsing the day before I took delivery. It predicted that Apple would be revising the 20-inch iMacG5 up to 2GHz and a dual-layer Superdrive. The extra few GHz isn’t such a big deal but I would have loved to get a dual layer DVD burner. Well, the news now is that the predicted hardware announcements didn’t include any iMac updates anyway, so I can rest easy in the knowledge that my shiny new machine will not be outdated in its first week of ownership. It may last two.

The two big Apple update stories in Australia this week aren’t hardware related, though, they have to do with OSX Tiger being released, and the expansion of the iTunes music store to Australia. Regular readers may know that I have been keenly awaiting both. Apparently there are Australians who are already successfully registering and downloading from iTMS today. However I suspect there will be a release of iTunes 4.8 to coincide with Tiger’s release in a few hours when we will be able to see an Australian storefront for the first time. I plan to join, even though songs are likely to be about $US0.45 more expensive in the Australian store. I don’t know how the cost difference is justified. There really is no choice if you want to be legal and buy from the store. Why be fair when you can screw people for a few extra million bucks I guess? Multinational companies win again.

It has begun

Well, planning for MLX 2005 has officially begun. I started work on the website for this year by doing a fresh installation of Drupal. I had been putting off doing much on it until the video was out of the way. Today the test DVD arrived from Dream Engine. I’ve given them the go ahead to duplicate after a small correction to the menu, so I hope we’ll have the finished DVDs in our hot little hands by Friday.

Hullabaloo

Hullabaloo was excellent. I returned late last night with Lotte, with very sore muscles and a dose of the traditional exchange virus. We skipped the morning workshops on both days but still had plenty to challenge us. 3 hrs of classes per day really is enough when you’re social dancing as well, but that might just be us. We are probably beyond the phase in our learning where we are excited enough to get up in time for an 11am class after having danced til 4am. For me the physical challenge was clearly enough as well.

The workshops were overall extremely valuable, which is something I found last year as well. There were some things that were are a disappointment of course. I was a bit frustrated by being invited to DJ and then being given a 30 minute spot in a non-preferred time. On top of that, invited DJs were expected to pay full price and were not paid. I thought that was pretty poor. Also the only live band I got to see was the Fremantle Jazz Orchestra at the Ball, and it was a really good line up with a fairly poorly chosen set list for the occasion. They played what I would expect to hear at any big band gig at a local fete — not what I would expect for a bunch of hardcore swingers wishing to relive the swing era. They played what you would call “progressive jazz music” rather than big band swing. All young faces (which is fantastic) using new arrangements, sometimes of tunes that would best be classified as bop or trad jazz rather than swing. They performed a couple of Basie numbers, but only the one they did as an encore had any real Kansas feel about it. The other was a showtune done with a distinctly Sinatra-Basie style (I can’t quite remember the number right now).

These things are certainly a matter of taste, and taste is personal. However I noticed that a lot of people were sitting down for a lot of the night, so I started to feel that I wasn’t Robinson Crusoe. The rhythm just didn’t have that swingin’ drive, and there were no themes you could play with. It makes it tough on dancers.

Enough of my minor nitpicks, though. On the positive side of the ledger the Perthies have got to be just about the most welcoming and generous group of swing dancers in the country. Their passion is unsurpassed. This always gives me a great feeling, and it comes through in their events. The weekend opened for me with a riverboat cruise down the Swan. That was really a lot of fun. The boat itself was larger than I had imagined and had two floors where you could dance. There wasn’t a lot of room to swing out because everyone tended to congregate on the upper deck floor, but that gave it a really terrific atmosphere. Lotte and I concluded that “enough space” was not an important factor for good atmosphere, and in fact can often detract. The riverboat cruise was probably my favourite event actually, even though it wasn’t a full on dance night.

The Saturday night dance was also really good. CRR member Brian Renehan ended up winning the Jack & Jill with Sarah Farrelley, which was a buzz for all the CRR crew because we had been working on competition stuff the previous week. They danced really well and deserved it. I don’t think I’ve ever seen Brian look as relaxed while competing.

CRR performed the Big Apple that night too. That was also a huge buzz because it seemed to go over very well. I personally felt good about my performance, although I was struggling a bit at the beginning with a sore hamstring/groin from the classes. It was funny because I just decided to dance all out anyway and started yelling “RAAAAAAAAHH!” at the top of my voice at various stages to get myself hyped past the pain barrier. It worked. Got to remember that.

Another highlight was our host Wes, who did nothing but wait on us hand and foot all weekend. The best part was when Lotte complained that the only thing they could do to improve the service at “this hotel” was to make up the beds every day. For a nanosecond Wes looked troubled. It was very funny. We thanked him buy making him a breakfast of Dutch pancakes and hid a gift for him in his room.

One more night

Well, I only need to wait one more night before I head over to Hullabaloo for the weekend. There’s only one more thing left to do: find someone to feed my cat. That shouldn’t be too hard.

It’s boring waiting to go. Today was a very busy day though, with 4 project meetings and a couple of other casual intra-office meetings in between. Everyone is trying to get things sorted out before the long weekend. It’s strange how the effect of just one day off compresses time. The smart thing to do is leave earlier. Wish I’d thought of it.

Tomorrow I’ll work on my research project and then head to the airport. I get into Perth just in time to make it to the jetty where a riverboat will take us on a cruise down Swan river. I’m worried that something will go wrong and I’ll miss the boat. That would really suck, because the cruise goes for 4 and a half hours and sounds like fun.

15,000 and counting

A couple of days ago I backed up my blog just for the hell of it. I was amazed to find that I’d written more than 15,000 words in a little over a month here. That sort of workrate would mean I could write a PhD thesis in under 9 months. If only it was as easy as writing in a blog.

I do believe, however, that having a blog builds the habit of writing. My other blog — the one I use to compile my MA thesis — has been proof of that. While it’s been quiet there lately I found that while I was writing stuff leading up to my progress report, the blog was a huge help.

Today was a really good day for a whole bunch of reasons, particularly after having such a crap day yesterday. The main thing about yesterday was a silly work related issue, and today that issue became resolved in many ways for me. That was a very positive start. Then, when I was having coffee with my boss he brought up the new iMac G5 that I’d put in for. He’s approved the purchase, so hopefully I will be getting that some time soon. I also got some other really good news that I will have to report on in a later blog entry. All in all, a brilliant day.

The only downside was that Lotte left tonight for Hullabaloo and I won’t be leaving until Friday night. It’s going to be pretty boring at work for the next couple of days waiting to get over to Perth myself. But it will be a great weekend.

How to win a contest

Here’s a lesson plan I developed for troupe.

Learning Objectives:

1. Enhance competition and performance skills.

2. Improve dancing to fast music.

3. Develop use of phrases.

Activities

Round 1
Two or three couples are partnered up randomly and must dance for 2 phrases each to a medium tempo song.

3 of the dancers act as judges while the others dance the song. Judges use criteria provided under 5 headings: Musicality, Balance, Innovation, Connection, and Entertainment. Each judge must rank each couple.(5 mins)

The 3 judges then swap in and repeat the exercise with 3 new judges. (5 mins)

Feedback
A simulated judge’s conference: each judge must justify his/her choice for the top couple based on the criteria. The Facilitator moderates the discussion. (5 mins)

All Skate
Partners rotate. Each dancer attempts to put into practice at least 2 tips they got from the Feedback session. Medium tempo song. (5 mins)

Round 2
Two or three couples are partnered up randomly and must dance for 2 phrases each to a fast tempo song.

3 of the dancers act as judges while the others dance the song. Judges use criteria provided under 5 headings: Musicality, Balance, Innovation, Connection, and Entertainment. Each judge must rank each couple.(5 mins)

The 3 judges then swap in and repeat the exercise with 3 new judges. (5 mins)

Feedback
A simulated judge’s conference: each judge must justify his/her choice for the top couple based on the criteria. The Facilitator moderates the discussion. (5 mins)

All Skate
Partners rotate. Each dancer attempts to put into practice at least 2 tips they got from the Feedback session. Medium tempo song. (5 mins)